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・ Neil McPherson
・ Neil McPherson (artistic director)
・ Neil McPherson (rugby union)
・ Neil McSweeney
・ Neil Megson
・ Neil Megson (soccer)
・ Neil Meitzler
・ Neil Melanson
・ Neil Mellor
・ Neil Melville
・ Neil Melvin
・ Neil Mendoza
・ Neil Mercer
・ Neil Meron
・ Neil Merritt
Neil Merryweather
・ Neil Metcalfe
・ Neil Michael Hagerty & the Howling Hex
・ Neil Michael Hagerty (album)
・ Neil Middleditch
・ Neil Midgley
・ Neil Midgley (footballer)
・ Neil Midgley (referee)
・ Neil Mildenhall
・ Neil Miller
・ Neil Miller (writer)
・ Neil Mitchell
・ Neil Mitchell (footballer)
・ Neil Mitchell (musician)
・ Neil Mitchell (radio presenter)


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Neil Merryweather : ウィキペディア英語版
Neil Merryweather

Neil Merryweather (born Robert Neilson Lillie on December 27, 1945 in Winnipeg, Manitoba) is a Canadian rock singer, bass player and songwriter. He has recorded and performed with musicians including Steve Miller, Dave Mason, Lita Ford, Billy Joel, Rick James and Wilson Pickett, and released an extensive catalogue of albums.
==The Just Us and The Tripp==

Merryweather began his career in Toronto during the early 1960s performing under the name Bobby Neilson.
During 1964, he joined forces with Gary Muir & The Reflections, a local group comprising Muir (vocals), Ed Roth (organ), Bill Ross (guitar), Brian Hughes (bass) and Bob Ablack (drums). Neilson’s arrival prompted the group to part from Muir and the band briefly changed their name to The Ookpiks (after a native-designed stuffed toy owl that was being promoted by the Canadian government). As it turned out that another group was already using that name, they briefly switched to The Sikusis (after a different stuffed toy). After the Canadian government demanded payment for their name, they settled on The Just Us in early 1965.
In 1965, the group recorded its lone single, "I Don’t Love You" c/w "I Can Tell", for the local Quality Records label. (Some copies list the group as The Ookpiks, some The Sikusis, and some The Just Us.) Soon afterwards, Ross and new drummer Al Morrison left to take part in the formation of The Bossmen around singer David Clayton-Thomas.
Neilson, who now went by the name Neil Lillie, befriended ex-Mynah Birds singer Jimmy Livingston in Long and McQuade’s music store where he worked in the backroom as an amp and guitar repairman and asked him to join a new line up of The Just Us. To complete the band, Lillie recruited former C. J. Feeney & The Spellbinders members Stan Endersby on guitar and Wayne Davis on bass.
In early 1966, The Just Us recorded an album’s worth of material at Arc Sound in Toronto, with the tapes being subsequently stolen by their manager. Undeterred, the band remained a popular local draw, regularly playing at Toronto clubs like the Hawk’s Nest, the In Crowd and the Gogue Inn as well as local high schools.
In June 1966, Davis left to play with Bobby Kris & The Imperials and Lillie learned to play bass in two weeks to fill the spot. Around this time, an American duo with the same name appeared on the charts and the group was forced to adopt a new name, The Group Therapy, for its show at the Varsity Arena on June 22, supporting The Byrds. When another local group surfaced with an earlier claim to The Group Therapy name, Neil came up with the new name, The Tripp, in September 1966.
The new group never had the opportunity to record, but did appear on the first episode of the Canadian Broadcasting Corporation’s TV show “The Sunday Show”. The band remained a regular fixture on the Toronto club scene throughout late 1966 and early 1967, They opened for the top band in Toronto The Mandela and stole the show and afterwards were approached by Mandela guitarist and friend Domenic Troiano and his manager Riff Markowitz. Riff became the Tripp's manager. One of the Tripp's most prestigious shows during this period was a performance at Maple Leaf Gardens on September 24, 1966 alongside the cream of Toronto’s rock bands.
With its more experimental approach to performance, The Tripp began to perform at more colourful venues like Boris’ Red Gas Room, the Devil's Den, the Flick and the Syndicate Club. Pianist Richard Bell from Ritchie Knight & The Mid-Knights briefly augmented the group in early 1967 but soon moved on to Ronnie Hawkins & The Hawks (and years later, Janis Joplin’s backing group Full Tilt Boogie and later The Band).

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